Observing the outdoors from my perch in the Cameron Library pedway, I am pondering the disconnect that Edmontonians feel toward their hometown. I can see white specs litter the air, slowly drifting downward to blanket the city. Mother nature has hit Edmonton hard this year, and refuses to clean up her mess. Snow – the dust of winter imbues the city. It’s no wonder we all feel like dying around this time of the year (if we don’t feel dead already). It’s spring and it’s snowing. Bestowed upon us by nature, Edmonton’s dichotomous seasons sever us from a sense of place.
“Nature,” Mike Davis says, “is constantly straining against its chains: probing for weak points, cracks, faults, even a speck of rust… What is ‘underlying’ urban nature without human control? Would the city be gradually (or catastrophically) reclaimed by its ‘original’ ecology…?”
The original ecology of Edmonton is the North Saskatchewan. Edmonton owes its existence to the river - our roots are entangled along her banks. City-dwellers boast of our superior river valley and flaunt the name “River City”, yet we are not so deeply connected with the current anymore, and instead we build high bridges to avoid her contact… And for 6 months of the year, the river is still. The death of the river flow as the North Saskatchewan freezes over marks the figurative death of Edmontonians. We are no longer the River City. We can no longer wander the streets, filling the city with stories, life, or a purpose. Engulfed by snow, silent and still, the people of Edmonton are confined indoors away from our roots, our nature, and thus condemned to artificiality.
We are made tepid, insipid, inauthentic, even boring. As Lucy Lippard states, “A sense of place is a virtual immersion that depends on the lived experience and topographical intimacy that is rare today… The sense of place… does indeed emerge from the senses. The land, even the spirit of the place, can be experienced kinetically, or kinesthetically, as well as visually.” During the winter months, half the year, we share little intimacy with our landscape; rather, we spend time scorning it and avoiding it. Ignorant to our forfeit sense of place, we complain about the monotony and dub ourselves Deadmonton. How… creative. We cannot flourish; we’re stuck in this perpetual storm of whiteness, sameness. We have drawn the white sheet over ourselves – the self-proclaimed dead.
We long for the vivacity of spring, we yearn for a sense of home – Nature has found its long searched-for weakness. When the river-flow frees itself, the North Saskatchewan seeks to remind us that she masters the city - it takes a flood come spring to cleanse the dust from our souls and to reawaken the humanity within us. After months of ceaseless snowfall, Edmonton is beginning to be released from her entombment. The snowdrifts no longer stand harsh and jagged along our walkways and streets, but have a saggy appearance about them as they become dissipated by hopes of impending spring. Rivers rush down their loose gravel beds, diligently laid out by city workers, and pool into newly formed lakes within the asphalt. The river not only defines this city – it consumes it. Deadmonton is somehow forgotten and replaced by River City once again.
Edmonton has no recollection of the winter months. No one cares to remember. Half of our identity dissipates along with the cruel memories of a harsh winter. With no collective memory and with the topographical features of the city transformed as the snow peels away, the reincarnated River City is but a shell.
We are at home until we forget yet again what it is to be alive come October. Lacking a permanent identity and a concrete purpose, the city-dwellers are trapped by ambivalence. Deadmonton will return, and we will be all too eager to escape her.